Swan Song is the final statement (and final physical release) by Daniel Diaz after The Years Alone and Seguundo Cilco,in the same wolrd-jazz style.
Produced by Daniel Diaz
Recorded between 2009 and 2014 in Buenos Aires, Lanus and Villa Gesell (Argentina), Paris and Montreuil (France), Los Angeles (USA). Mixed and mastered 2015 in Paris.
Daniel Diaz: acoustic and electric Basss, acoustic and electric guitars, requinto, upright bass, acoustic and electric piano, keyboards, vibes, hang, harmonium, percussion, accordina, charango, ukulele, programming.
Steve Arguelles (UK) Drums
Gustavo Bulgach (USA/Arg) Clarinet
Patrick Bebey (Cameroun) Fender Rhodes
Javier Estrella (Argentina) Drums
Leandro Guffanti (Argentina) Soprano Sax
Damian Jarry (France) Cello
Line Kruse (Danemark) Violin
David Lewis (Australia) Flugel Horn
Olivier Manoury (France) Bandoneon
Daniel Miguez (Argentina) Drums
Norberto Pedreira (Arg/Fr) Guitar
Bobby Rangell (USA) Alto Sax, flutes
Luis Rigu (Arg/Fr) : Flutes
Inor Sotolongo (Cuba) Congas
Miguel Yanover (Argentina) Tenor Sax
Cover design by Sergio Pittaluga
Photo by Juan Hitters
CD & Download
Swan Song track list
- Otoño y Martes (love theme n°1)
- Os Historicos
- Romántica Cromática
- Erik Satie’s Farewell
- Alexis Luminoso
- Tristesse Collateral
- Same Old Song
- Harold’s Lake
- Resumé (Swan Song)
total time 47:26
- Neo Zamba (Fin de Siècle)
- New York Polonaise
- Gandolfini Etc.
- Vignette L.A.
total time 29:23
Composed by Daniel Diaz.
Total full album time: 77:16
This album is called Swan Song. Here you will find the last chapter in the research I started with my very first album in 1993. In terms of style, Swan Song can be considered as the third and last part of a trilogy (started with The Years Alone and Segundo Ciclo in between) of solo “composer” albums where I can also show my skills as a multi-instrumentalist and arranger, and gather compositions written in different places and times, with varied styles and instrumentations.
Like the two aforementioned discs, I
asked for help from some friends that I like (people with whom I
played and shared stages and recording studios over the years, and a
couple of new partners). These great musicians gave life to these
songs and added musicality and talent to Swan Song. They
managed to interpret the meaning I intend of all this:
simplicity and beauty prevail over technique.
Here you’ll find simple and catchy instrumental compositions with strong, sensitive melodies, passionate and sophisticated harmonies and atmospheres, rather gentle rhythms and a variety of instruments and sounds.
In Swan Song there are tracks with odd and irregular metric, unexplained modulations, dozens of time-signature changes, erroneous dissonances, tempo shifts, etc. But hopefully it all goes unnoticed (only visible to the musicians who read the sheet music and to those who try to transcribe this music).
So it is ok if this long record seem banal and simple to some listeners. But may the sensitivity it hides reach the hearts of some. It was made with all my soul and heart, I swear
DD November 2014